Valentine's Day Musings: How i spent the day with Natalie Wood, Robert Redford, Meryl Streep and Robert De Niro

So i was feeling lazy (again) this morning and decided to lounge (again) on the couch in front of my TV and decided i'd check what's on before i start with my day. It was about 11 already. I start my day late for the past couple of weeks (am in-between day jobs right now and am enjoying late nights and lazy mornings in bed) and my routine consists mainly of two things: food and TV. So i grabbed the remote, switched on the TV and changed the channel to the "MOVIE" network. I don't have cable. Don't ask. It's a matter of principle and also more like a protest against the poor quality of programming and service i experienced when i was still dazed by the idea of "having cable."

I forgot it was Valentine's Day today but with Facebook, i was reminded the instant i turned my iPhone on. Hey, I don't need to tell you i am single and happy. (Really, i am happy and contented. Really! Am sure! --- Now, am starting to sound desperate) so i approached the day like another ordinary day. Last night, i went to a neighborhood bar and overheard the bartender telling someone that today was just another SAD-turday for him. I couldn't agree more. But, really, i am happy! Hmmm.

I had to-go food from a Filipino wake I attended last night, so i had that for brunch. Nothing beats leftover Filipino food. I paired it with brown rice, a glass of room temperature water and some TV. My day is set.

I woke up thinking I would spend the morning to myself again but, no, it was not what my movie gods planned for me. The minute i settled myself on the couch and focused my attention on my oldish 40-inch TV, I was immediately struck by the sight of a very young (and handsome!) Robert Redford berating a very young (and very beautiful Natalie Wood) for something that she committed. Some dialogues had Mr. Redford's character accusing Ms. Wood's character of being a whore. Wow! That was powerful. I clicked on the INFO button on my remote and discovered that what was on was this 1966 Sydney Pollack film "This Property is Condemned" based on a Tennesse Williams play. I was instantly hooked. I may have missed the first hour or so of the movie but i felt it was going to be good --- and i was not disappointed.

The film is styled in classic melodrama with hysterical performances that's seemingly typical in every Tennesse Williams play. I could be wrong. Apparently, Ms. Wood's character was in love with Mr. Redford's character but her mom is trying to set her up with an old guy for the sake of some fortune. But then the mom's lover is secretly trying to seduce Ms. Wood's character. There's a crucial and tense scene inside a restaurant where Ms. Wood's character, her mother, her mother's lover and the old guy that's she's being setup are having some casual fun but what begun with cautious flirtations ended with an explosive revelation resulting to a haphazard wedding between Ms. Wood's character and her mom's lover who was portrayed by a very young (and surprisingly good looking) Charles Bronson.

The next morning, Ms Wood's character decides that marriage is not for her. She runs off with the money she stole from Mr. Bronson's character and their wedding certificate to go after Mr. Redford's character who is now based in New Orleans. When they met, they reconciled, professed their undying love for each other and planned on getting married. For an extended amount of time, we get to see the lovers enjoying each other but you know that there are still unresolved issues that need to be addressed. 

So the mother reappears and she forces Ms. Wood's character to reveal to Mr. Redford's character that she could not possibly get married again. That she's already married and that she has to return to her husband. This news catches Mr. Redford by surprise. She looks accusingly at Ms. Wood's character who couldn't help but be sorry for herself and the sad circumstance life has put her in. She explodes, runs away under heavy rain and disappears into the dark. 

The movie ended with a couple of teenaged children recalling the sad story of Ms. Wood's character. It's not a happy ending typical of a love story shown on TV on Valentine's Day. It was tragic, sad. And it was just perfect for me. Nope, not because i enjoy sad movies, i just like being real. Perhaps, if there's someone that i am in love with right now, I would have clung to the illusion that everyone deserves a happy ending. But, let's get real. 

Fortunately, the next movie shown on the same channel was the 1984 classic romance "Falling in Love" featuring two of my favorites, the marvelous actors Meryl Streep and Robert De Niro. You know how the movie goes. The characters end up together in the end. H-A-P-P-Y E-N-D-I-N-G, yes --- but if you consider the fate of the wife and husband their characters decided to leave, then you'd realize that in the pursuit of love, there is always some brokenhearted souls suffering unseen in the dark.

I planned on not watching it but i just couldn't help myself. Then, "Making Love", the Kate Jackson, Michael Ontkean and Harry Hamlin love triangle was also scheduled after "Falling in Love" but i decided i have enough of lovers and love for the day. So here i am blogging about how memorable my Valentine's day was. Memorable is a relative word. Hope yours was more "memorable." 

XXX
Raymond Lo

Berlin 2015: Winners!

"Taxi" (Jafar Panahi, Iran)

Iranian film "Taxi" from banned filmmaker Jafar Panahi takes both Jury and Critics top prizes!

The winners of the 65th Berlinale

PRIZES OF THE INTERNATIONAL JURY

GOLDEN BEAR FOR BEST FILM (awarded to the film’s producer)
Taxi by Jafar Panahi

SILVER BEAR GRAND JURY PRIZE
El Club (The Club) by Pablo Larraín

SILVER BEAR ALFRED BAUER PRIZE (for a feature film that opens new perspectives)
Ixcanul (Ixcanul Volcano) by Jayro Bustamante

SILVER BEAR FOR BEST DIRECTOR (Tie)
Radu Jude for "Aferim!"
Małgorzata Szumowska for "Body" 

SILVER BEAR FOR BEST ACTRESS
Charlotte Rampling in 45 Years by Andrew Haigh

SILVER BEAR FOR BEST ACTOR
Tom Courtenay in 45 Years by Andrew Haigh

SILVER BEAR FOR BEST SCRIPT
Patricio Guzmán for El botón de nácar (The Pearl Button)

SILVER BEAR FOR OUTSTANDING ARTISTIC CONTRIBUTION (Tie)
(in the categories camera, editing, music score, costume or set design)
Sturla Brandth Grøvlen for the camera in Victoria (Victoria) by Sebastian Schipper
Evgeniy Privin and Sergey Mikhalchuk for the camera in Pod electricheskimi oblakami (Under Electric Clouds) by Alexey German Jr.

BEST FIRST FEATURE AWARD (endowed with € 50,000, funded by GWFF)
600 Millas (600 Miles) by Gabriel Ripstein

GOLDEN BEAR JURY PRIZE (SHORT FILM)
HOSANNA by Na Young-kil

SILVER BEAR JURY PRIZE (SHORT FILM)
Bad at Dancing by Joanna Arnow

BERLIN SHORT FILM NOMINEE FOR THE EUROPEAN FILM AWARDS
Dissonance by Till Nowak

AUDI SHORT FILM AWARD (endowed with € 20,000, enabled by Audi)
PLANET Σ by Momoko Seto


PRIZES OF THE JURIES GENERATION

CHILDREN'S JURY

CRYSTAL BEAR for the Best Film
Min lilla syster (My Skinny Sister) by Sanna Lenken

SPECIAL MENTION
Dhanak (Rainbow) by Nagesh Kukunoor

CRYSTAL BEAR for the Best Short Film
Hadiatt Abi (Gift of My Father) by Salam Salman

SPECIAL MENTION
The Tie by An Vrombaut

THE GRAND PRIX OF THE GENERATION KPLUS INTERNATIONAL JURY
(for the best feature-length film, endowed with € 7,500 by the Deutsches Kinderhilfswerk)
Dhanak (Rainbow) by Nagesh Kukunoor

SPECIAL MENTION
Min lilla syster (My Skinny Sister) by Sanna Lenken

THE SPECIAL PRIZE OF THE GENERATION KPLUS INTERNATIONAL JURY
(for the best short film, endowed with € 2,500 by the Deutsches Kinderhilfswerk)
Giovanni en het waterballet (Giovanni and the Water Ballet) by Astrid Bussink

SPECIAL MENTION
Agnes by Anja Lind

YOUTH JURY

CRYSTAL BEAR for the Best Film
Flocken (Flocking) by Beata Gårdeler

SPECIAL MENTION
Prins (Prince) by Sam de Jong

CRYSTAL BEAR for the Best Short Film
A Confession by Petros Silvestros

SPECIAL MENTION
Nelly by Chris Raiber

THE GRAND PRIX OF THE GENERATION 14PLUS INTERNATIONAL JURY
(for the best feature-length film, endowed with € 7,500 by the Bundeszentrale für Politische Bildung | Federal Agency for Civic Education)
The Diary of a Teenage Girl by Marielle Heller

SPECIAL MENTION
Nena by Saskia Diesing

THE SPECIAL PRIZE OF THE GENERATION 14PLUS INTERNATIONAL JURY
(for the best short film, endowed with € 2,500 by the Bundeszentrale für Politische Bildung | Federal Agency for Civic Education)
Coach by Ben Adler

SPECIAL MENTION
Tuolla puolen (Reunion) by Iddo Soskolne and Janne Reinikainen



PRIZES OF THE INDEPENDENT JURY

ECUMENICAL JURY PRIZE
COMPETITION: El botón de nácar (The Pearl Button) by Patricio Guzmán 
PANORAMA: Ned Rifle (Ned Rifle) by Hal Hartley 
FORUM: Histoire de Judas (Story of Judas) by Rabah Ameur-Zaïmeche

FIRESCI JURY PRIZE
COMPETITION: Taxi by Jafar Panahi 
PANORAMA: Paridan az Ertefa Kam (A Minor Leap Down) by Hamed Rajabi 
FORUM: Il gesto delle mani (Hand Gestures) by Francesco Clerici

PRIZE OF THE GUILD OF GERMAN ART HOUSE CINEMAS
Victoria by Sebastian Schipper

CICAE ART CINEMA AWARD
PANORAMA: Que Horas Ela Volta? (The Second Mother) by Anna Muylaert 
FORUM: Zurich by Sacha Polak

LABEL EUROPA CINEMAS
Mot Naturen (Out of Nature) by Ole Giæver and Marte Vold 


TEDDY AWARD

Best Feature Film: Nasty Baby by Sebastián Silva
Best Documentary/Essay Film: El hombre nuevo (The New Man) by Aldo Garay
Best Short Film: San Cristóbal by Omar Zúñiga Hidalgo 
Teddy Jury Award: Stories of Our Lives by Jim Chuchu


READERS' JURIES AND AUDIENCE AWARDS

READERS’ JURIES AND AUDIENCE AWARD

Panorama Audience Award fiction film 
Que Horas Ela Volta? (The Second Mother) by Anna Muylaert

Panorama Audience Award documentary film 
Tell Spring Not to Come This Year by Saeed Taji Farouky and Michael McEvoy

BERLINER MORGENPOST READERS’ JURY AWARD
Victoria by Sebastian Schipper 

TAGESSPIEGEL READERS’ JURY AWARD
Flotel Europa by Vladimir Tomic 

ELSE - SIEGESSÄULE READERS’ JURY AWARD
Zui Sheng Meng Si (Thanatos, Drunk) by Chang Tso-Chi



OTHER AWARDS | GRANTS

MADE IN GERMANY – PERSPEKTIVE FELLOWSHIP
(endowed with € 15,000, funded by Glashütte Original)
Oskar Sulowski for Rosebuds

FGYO-AWARD DIALOGUE EN PERSPECTIVE
(endowed with € 5,000, funded by the French-German Youth Office | FYGO) 
Ein idealer Ort (A Perfect Place) by Anatol Schuster

Lobende Erwähnung
Im Sommer wohnt er unten (Summers Downstairs) by Tom Sommerlatte

CALIGARI FILM PRIZE
Balikbayan #1 Memories of Overdevelopment Redux III by Kidlat Tahimik

PEACE FILM PRIZE
The Look of Silence by Joshua Oppenheimer

AMNESTY INTERNATIONAL FILM PRIZE
Tell Spring Not to Come This Year by Saeed Taji Farouky and Michael McEvoy

HEINER CAROW PRIZE
B-Movie: Lust & Sound in West-Berlin by Jörg A. Hoppe, Klaus Maeck and Heiko Lange

THINK: FILM AWARD (Tie)
(funded by the Allianz Cultural Foundation)
Oskar Dawicki in The Performer by Łukasz Ronduda and Maciej Sobieszczański
Untitled (Human Mask) by Pierre Huyghe 

Lobende Erwähnung
Thamaniat wa ushrun laylan wa bayt min al-sheir (Twenty-Eight Nights and A Poem) by Akram Zaatari


PRIZES BERLINALE CO-PRODUCTION MARKET & BERLINALE TALENTS

ARTE INTERNATIONAL PRIZE
(endowed with € 6,000)
Marcela Said (Chile) for Los Perros

EURIMAGES CO-PRODUCTION DEVELOPMENT AWARD
(endowed with € 20,000)
Emily Atef (Germany) for 3 Days in Quiberon

Special Mention
Syllas Tsoumerkas (Greece) for The Miracle of the Sargasso Sea

VFF TALENT HIGHLIGHT PITCH AWARD
(endowed with € 10,000)
Director Abner Benaim (Panama) and producer Gema Juarez Allen (Argentina) for Biencuidao

DOLBY® ATMOS POLICY TRAILER
Warren Santiago (Thailand/ Philippines)

BERLINALE TALENTS DOC STATION DEVELOPMENT GRANT
(endowed with € 3.000, funded by Canada Goose)
Marouan Omara (Egypt) for Dream Away

Congratulations to all the winners!!!

Berlin 2015: Kidlat Tahimik's "Balikbayan #1..." wins Caligari Film Prize!




The Caligari Film Prize for a film in the Berlinale Forum goes to Kidlat Tahimik's "BALIKBAYAN #1 MEMORIES OF OVERDEVELOPMENT REDUX III!"

Language is the key to the empire. Enrique is the slave of Ferdinand Magellan, who circumnavigated the globe. Aside from bathing Magellan every evening, Enrique also has to translate Filipino languages into Portuguese and Spanish. The film opens with a cardboard box containing film rolls being dug up from the ground. Shot in 1980 and now showing their age, the images tell the story of the circumnavigation. Magellan died shortly before the journey was completed, but had authorized that Enrique, now by default the first true circumnavigator, was to become a free man. Enrique carved his memories of the journey into wood, with the sculptures adorning his garden. Balikbayan #1 weaves together the official story with that of Enrique, as well as with the director’s cut of what Tahimik started filming 35 years ago in order to find out the truth and continued in a village in the province of Ifugao in 2013.

The actors are no longer the same, and Tahimik, who himself played Enrique in 1980, has grown older, just as children have been born. Balikbayan #1 is a home movie, a flamboyant epic, a study of colonialism, a historical corrective and an homage to what Tahimik calls ‘Indio Genius’.

Congratulations!!!

XXX
Raymond Lo

News: Powerful Doc "Matt Shepard is a Friend of Mine" in theaters now!

Filipina Documentary Filmmaker Michele Josue's film "Matt Shepard is a Friend of Mine" opens today at AMC River East 21 in Chicago and at Laemmle NoHo 7 in Los Angeles. For screening schedules in your city, please check this link: http://mattshepardisafriendofmine.com/screenings

"Our film and the people in it all bear witness to the simple fact that Matt Shepard was a good person — an amazing person with a bright future who tragically fell victim to the ignorance and hatred that persists in our society today." - Michele Josue, Director of "Matt Shepard is a Friend of Mine"

The new and award-winning documentary "Matt Shepard is a Friend of Mine" explores the life and tragic death of Matthew Shepard, the gay student brutally murdered in Laramie, Wyoming in one of the most notorious hate crimes in U.S. history. Framed through the personal lens of friends and family, it’s a story of loss, love, and courage in the face of unspeakable tragedy.

Watch the trailer below...



Directors Statement

Fifteen years ago, just past midnight on October 12, 1998, my dear friend Matt Shepard died from a vicious anti-gay attack at the hands of confessed homophobe Aaron McKinney and his accomplice Russell Henderson. Matt’s death opened the world’s eyes, including my own, to the hate and inequality the LGBT community struggles against to this very day.

I was 19 when Matt died and his loss was devastating for me.  It’s a hard thing to understand, but as his story became an international news event, my heartbreak and sense of loss only grew as my friend Matt was replaced by “Matthew Shepard,” an historic figure and icon that will forever be associated with unspeakable violence and hate.  And as the media stripped my friend of his humanity, I made a promise to myself that when I was emotionally and artistically ready, I would share, with the world, who Matt really was — in the only way I knew how, through film.

So three years ago, in 2010, after close to a year of research and intense discussion, I, along with a very small team, set off to make “Matt Shepard Is a Friend of Mine,” a film that would recapture the Matt the world barely knew. During the course of these years, I traveled all across the U.S. as well as Switzerland and Morocco to film important people and pivotal locations from Matt’s life. We made numerous trips to Laramie, Wyoming, where we photographed evidence from Matt’s attack. We interviewed the exemplary law officials who were involved in his case, including Undersheriff Rob DeBree, who painstakingly walked us through every detail of that fateful evening’s events.  We filmed everyone from Matt’s parents, his closest friends, teachers, and mentors, to the bartender who last saw Matt and his murderers at the Fireside on October 6, 1998.

The people I chose to be featured in “Matt Shepard Is a Friend of Mine,” many of whom are also mutual friends of mine, all had close relationships with Matt and knew him at various points in his all-too-brief life. Collectively, they construct a truly encompassing and intimate portrait of Matt as he really was—a complex, sensitive, gay young man who worked hard to find peace and his place in the world. Through their vivid recollections of Matt, his joys and struggles, they reveal a young person, struggling to come of age, who is no different than any of us.

While Matt’s death did open my eyes to a world that could be so hostile and cruel, in many ways, the opportunity to tell Matt’s story has also showed me how incredibly good, beautiful, and just the world can be.  Matt’s story includes exemplary police work, tireless activism, and the legislative victory of the Matthew Shepard and James Byrd Jr. Hate Crimes Prevention Act. His story shows us how love overcomes hate, and mercy surpasses cruelty and intolerance.  Finally, there is the power of “Matthew Shepard,” Matt’s legacy to inspire current and future generations to be proud of who they are and to live their lives with courage, compassion, and forgiveness.

As a filmmaker and Matt’s friend, I feel extraordinary gratitude to be able to tell his incredible story and a tremendous obligation to depict him honestly, as the flawed, yet wonderful human being he was.  For this reason, it is heartbreaking to me that the dehumanization and victimization of Matt continues to this day in the form of outrageous conspiracy theories and disgraceful character assassinations, which can only be motivated by a reckless opportunism and a blatant disregard for any sort of acceptable journalistic standards.

Now more than ever, our film stands as a witness to what actually happened the tragic night of October 6, 1998 and, more importantly, to the innately good, kind, and big-hearted person Matt was. Our film and the people in it all bear witness to the simple fact that Matt Shepard was a good person—an amazing person with a bright future who tragically fell victim to the ignorance and hatred that persists in our society today.
As a storyteller, I am truly grateful to have the opportunity to tell Matt’s story in the honest, sensitive, and dignified way it deserves to be told.  As Matt’s friend, I am forever grateful to have this opportunity to stand up for him, alongside his family and friends and countless supporters around the world, as he is not here to stand up for himself.

Film Review: "McFarland USA"

"McFarland USA" was the Closing Night film of the 30th Santa Barbara International Film Festival. I was going to watch but I decided I'd watch another movie because I would be able to watch it two nights later --- in hindsight, I should have watched it earlier and watched it again Monday night and I would have had seen it twice now. It is so good! No, it's a great film anchored by a truly uplifting and inspiring true story of a group of kids, their coach and their humble community to overcome their adversity and triumph in one field where the stakes are higher and the challenges tougher but where economic status in life do not matter at all.

Set in 1987, the film is inspired by a remarkable true story when a recently fired football coach, Jim White (Kevin Costner), was forced by necessity to accept a job in a small Central Valley California high school in the town of McFarland where the predominant population is composed of poor Latino families whose primary livelihood is picking produce. At his new school, he discovers a group of kids who are exceptional runners and he decides to form a cross-country team despite initial objections from the school and the kids' parents who would rather have their kids pick fruits and vegetables rather than waste time training for a sport that they think will not provide them any means of future livelihood anyway.

The story chronicles the forming of the team that would eventually set an unprecedented 24-year streak of making it to the State Championships. It also introduces us to each of the seven runners who pioneered the team and the coach whose initial goal was to leave McFarland as soon as an opportunity arises. The movie gives a balanced narrative combining the thrilling ascent of the team to the top of the sport in remarkably brief time and the heart-rending day-to-day challenges the boys had to face --- they get up very early each day to help pick produce before they head for school and they go back to the fields after school to resume picking produce. It melts your heart to see these young boys be so responsible for their age. Their smiles betray the backbreaking labor they have to do everyday and it makes you feel guilty for the small pleasures that we take for granted everyday. There's a very poignant scene in the movie, right after a meet, when the boys were brought to the beach by their coach to celebrate. It was their first time to see the beach and the joy in their faces is truly wonderful to behold.

Niki Caro, the acclaimed director who previously gave us "The Whale Rider" and "North Country", ably navigates the conventions of the genre and gives us occasional glimpse of artistry in several choice shots and clever exposition. This was a modestly-budgeted production but the result is quite superb. The performances by the cast are uniformly good with Costner delivering one of his most inspired performances to date aided by Maria Bello's quiet but strong supporting performance.

Rating: 5 Stars

"McFarland USA" opens in theaters February 20!

Watch the trailer below...